WORKFLOW IS EMBEDDED - Sharing is caring, download and drop in ComfyUI. Minimax is…

WORKFLOW IS EMBEDDED - Sharing is caring, download and drop in ComfyUI. Minimax is really amazing.

subject_definitions:
<Subject 1> is the adult woman in <Picture 1>. Preserve her exact face, hair, skin, body, clothes, accessories, and both hands where they already are.
<Subject 2> is the adult man already at the bottom of <Picture 1>: hips and penis only, penis already inside her. His face stays out of frame. His hands stay out of frame.
<Subject 3> is the bed, sheets, pillow, and background exactly as framed in <Picture 1>.
<Picture 1> is the source for her identity, his penis inside her, the pose, the lighting, and the starting camera.

summary:
Continuation of <Picture 1>. He pushes in slowly, then harder and faster. Her breasts move wildly, jiggly and bouncy with exaggerated physics. She slowly spreads her legs wider and grips her thighs harder. Her moans turn into open-mouth tongue-out "han, han". The sounds get wet and sloppy.

retention_analysis:
<Subject 1> (appears throughout): fully_preserved - exact face, hair, skin, body, clothes, and accessories from <Picture 1>. Both hands stay on her thighs, fingers pressing harder as the clip goes on. Her legs spread slowly wider than in <Picture 1>.
<Subject 2> (appears throughout): fully_preserved - same hips at the bottom of frame. Penis stays inside her. Face stays out of frame. Hands stay out of frame.
<Subject 3> (appears throughout): fully_preserved - same bed, sheets, pillow, and background from <Picture 1>. No new location.
<Picture 1> (pose): fully_preserved at 0:00 - same pose, same framing, eyes on the lens. Legs and grip then change slowly from that start.

detailed_description:
Keep the exact look of <Picture 1>. No redesign. No new clothes. No new hair. No new room.
[Shot 1] Starts on the exact pose of <Picture 1>. She is already in that pose, hands on her thighs, eyes on the lens. His penis is already inside her. His hips are at the bottom of the frame. Same camera, small shake.
0:00-0:06 He pushes in slowly until his hips meet her, then draws back a short way inside her. The penis stays inside her. Each push is wet and sloppy, with a soft slick sound. Her breasts shift with the push, jiggly and bouncy. Her hands stay on her thighs. Her fingertips start to press into the soft flesh. Her lips part. She lets out a short breathy "han" on the push, mouth barely open. Her knees ease a little wider.
He pushes in a little harder, still slow, until his hips meet her, then draws back a short way inside her. Her breasts roll with each push, exaggerated bounce. Her gaze shifts to a dazed bliss. Eyes stay on the lens. She moans louder, open-mouth "han, han" on each push, breath catching. Her fingers grip tighter, visibly dimpling her thighs. Her legs spread slowly wider, thighs opening further apart. Clothes and accessories stay as in <Picture 1>.
He pushes in faster and harder now until his hips meet her. Wet sloppy sounds on every stroke. Her breasts roll and bounce with each push. Her mouth stays open, tongue out, ahegao face. The moan turns into a tongue-out "han, han, han", airy, broken, pushed out on each stroke, air spilling past the tongue. Eyes stay on the lens. Her fingers dig harder into her thighs, pressure visible in the flesh. Her legs are spread wider than at 0:00. The penis stays inside her.

overall_soundscape:
The bed and sheets of <Picture 1>. A wet skin slap each time his hips meet her, plus slick, sloppy, squelching sounds on every push, louder as he goes faster. Her voice is an open-mouth ahegao moan, tongue-out, breathy and broken: short "han, han" on each push, air spilling past the tongue, not a closed-lip moan. His breath stays below frame.

non_diegetic_music:
N/A

Parameters